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Introduction Stuart Grant(Monash Bioethics Center, Monash University)Jodie McNeilly-Renaudie Matthew Wagner

pp.1-16

https://doi.org/10.1007/978-3-319-98059-1_1
The essential question

so what's phenomenological about performance phenomenology?

Stuart Grant(Monash Bioethics Center, Monash University)

pp.19-37

https://doi.org/10.1007/978-3-319-98059-1_2
Phenomenological methodology and aesthetic experience

essential clarifications and their implications

Maxine Sheets-Johnstone

pp.39-62

https://doi.org/10.1007/978-3-319-98059-1_3
The unnamed origin of the performative in Heidegger's interpretation of aristotelian phronēsis Stuart Grant(Monash Bioethics Center, Monash University)

pp.63-83

https://doi.org/10.1007/978-3-319-98059-1_4
A phenomenology of being seen Sondra Fraleigh

pp.87-110

https://doi.org/10.1007/978-3-319-98059-1_5
"A unique way of being"

the place of music in Merleau-Ponty's phenomenology of perception

Marc Duby

pp.111-131

https://doi.org/10.1007/978-3-319-98059-1_6
Foregrounding the imagination

re-reflecting on dancers' engagement with video self-recordings

Shantel Ehrenberg

pp.133-163

https://doi.org/10.1007/978-3-319-98059-1_7
Sensing film performance Sean Redmond

pp.165-183

https://doi.org/10.1007/978-3-319-98059-1_8
Phenomenologically absurd, absurdly phenomenological Jodie McNeilly-Renaudie Pierre-Jean Renaudie(University of Lyon)

pp.185-202

https://doi.org/10.1007/978-3-319-98059-1_9
On not being able to dance

the interring

Robert P. Crease

pp.205-215

https://doi.org/10.1007/978-3-319-98059-1_10
Performance criticism

live writing as phenomenological poiēsis

Diana Damian Martin

pp.217-236

https://doi.org/10.1007/978-3-319-98059-1_11
The erotic reduction

crossed flesh in Lea Anderson's the featherstonehaughs draw on the sketchbooks of egon schiele

Nigel Stewart

pp.237-260

https://doi.org/10.1007/978-3-319-98059-1_12
Sound design

a phenomenology

Christopher Wenn

pp.261-285

https://doi.org/10.1007/978-3-319-98059-1_13
Acting without "meaning' or "motivation"

a first-person account of acting in the pre-articulate world of immediate lived/living experience

Phillip B. Zarrilli

pp.287-309

https://doi.org/10.1007/978-3-319-98059-1_14
Thinking with performance Ian Maxwell

pp.311-327

https://doi.org/10.1007/978-3-319-98059-1_15

Publication details

Publisher: Springer

Place: Dordrecht

Year: 2019

Pages: 337

ISBN (hardback): 978-3-319-98058-4

ISBN (digital): 978-3-319-98059-1

Full citation:

Grant Stuart, McNeilly-Renaudie Jodie, Wagner Matthew (2019) Performance phenomenology: to the thing itself. Dordrecht, Springer.