Journal | Volume
Glimpse
Volume 21
Details | Table of Contents
Evidence and truth in the digital age
a husserlian perspective
pp.9-27
https://doi.org/10.5840/glimpse2020212
Twitter as a public space of influence in political and governmental agendas
pp.29-35
https://doi.org/10.5840/glimpse2020213
The "electric age"
moral and political form
pp.37-50
https://doi.org/10.5840/glimpse2020214
Camera versus person and person versus camera
a meeting of representations in nonfiction cinema
pp.51-55
https://doi.org/10.5840/glimpse2020215
Media as borgean aleph
an invisible and totalizing vision how is freedom possible?
pp.57-63
https://doi.org/10.5840/glimpse2020216
Making a point (digitally assisted)
Heidegger and national socialism
pp.65-70
https://doi.org/10.5840/glimpse2020217
Work and experience from a phenomenological approach
pp.71-77
https://doi.org/10.5840/glimpse2020218
Self-representation
from self-portrait to selfie
pp.79-84
https://doi.org/10.5840/glimpse2020219
Marjorie prime
the question of alterity between holograms and humans
pp.85-96
https://doi.org/10.5840/glimpse20202110
Media structural defacement and its philosophical implications
irony and the uses of grammatic and semantic punctuation
pp.97-107
https://doi.org/10.5840/glimpse20202111
Investment media and information consumption
a phenomenology of news perceptions
pp.109-118
https://doi.org/10.5840/glimpse20202112
The reuse of technology in electronic art as an expression of social conditions
pp.125-134
https://doi.org/10.5840/glimpse20202114
Aesthetic deviance
embodied pain in performance art
pp.135-142
https://doi.org/10.5840/glimpse20202115Publication details
Journal: Glimpse
Volume: 21
Year: 2020
Full citation:
(2020) Glimpse 21.